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"What are you doing here, Tim?" says Mona, bravely, calmly, "at this hour, and with—yes, do not seek to hide it from me—a gun! And you too, Carthy," peering into the darkness to where another man, less plucky than Ryan lies concealed. "Ah! you may well wish to shade your face, since it is evil you have in your heart this night.",

Then she knows she is speaking to "the Australian," (as she has heard him called), and, lifting her head, examines his face with renewed interest. Not a pleasant face by any means, yet not altogether bad, as she tells herself in the generosity of her heart.,

Then she accompanies him to the door, but gravely, and not with her accustomed gayety. Standing on the door-step he looks at her, and, as though impelled to ask the question because of her extreme stillness, he says, "Of what are you thinking?",

Once more the sun had disappeared behind the mountains, and as darkness grew Mīka´pi came down from where he had been hiding and carefully approached the camp. Now was a time of danger. Now watchers might be hidden anywhere, looking for the approach of enemies, ready to raise a cry to warn the camp. Each bush or clump of rye grass or willow thicket might hide an enemy. Very slowly, looking and listening, Mīka´pi crept around the outskirts of the camp. He made no noise, he did not show himself. Presently he heard some one clear his throat and then a cough, and a little bush moved. Here was a watcher. Could he kill him and get away? He sat and waited to see what would happen, for he knew where his enemy was, but the enemy knew nothing of him. The great moon rose over the eastern prairie and climbed high and began to travel across the sky. Seven Persons swung around and pointed downward. It was about the middle of the night. At length the person in the bush grew tired of watching; he thought no enemy could be near and he rose and stretched out his arms and yawned, but even as he stood an arrow pierced him through, beneath the arms. He gave a loud cry and tried to run, but another arrow struck him, and he fell.

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"How can I go," he says, without daring to look at her, "until, at least, I ask for forgiveness?" He feels more nervous, more crushed in the presence of this little wounded Irish girl with her pride and her grief, than he has ever felt in the presence of an offended fashionable beauty full of airs and caprices. "Mona, love makes one cruel: I ask you to remember that, because it is my only excuse," he says, warmly. "Don't condemn me altogether; but forgive me once more.",

"Maybe," says Betty Corcoran, turning in a genial fashion to Mona and Geoffrey, "ye'd ate a pratie, would ye, now? They're raal nice an' floury. Ye must be hungry, Miss Mona, afther all the work ye've gone through; an' if you an' your gintleman would condescind to the like of my dinner, 'tis ready for ye, an' welcome ye are to it. Do, now!" heartily. "The praties is gran' this year,—praises be for all mercies. Amen.",

"Yes; it was of them I thought," he says, turning his head away,—"of the—lovers. I wonder if their evening was as lovely as ours?",

"Where are you going?" asks Rodney, afraid lest his last speech has offended her. She has her hat on,—a big Gainsborough hat, round which soft Indian muslin is clinging, and in which she looks nothing less than adorable.